St Johns

Stoplist_StJohns

 

The Chancel Organ

W. W. Kimball Company

Op. 7231, 1938

Current Specification, 2011

 

 

Great (61 notes, Manual II, unenclosed, except as noted *)

16′ Double Diapason 61 metal

16′ Quintaton * 61 wood & metal

8′ First Diapason 61 metal

8′ Second Diapason 61 metal

8′ Third Diapason * 61 metal

8′ Harmonic Flute * 61 metal

8′ Bourdon * 61 wood & metal

8′ Gemshorn * 61 metal

4′ First Octave 61 metal

4′ Second Octave * 61 metal

4′ Flute Harmonique * 61 metal

2 2/3′ Octave Quint 61 metal

2′ Super Octave 61 metal

IV Fourniture 244 metal

III-V Full Mixture 269 metal

16′ Contra Tromba * 61 metal

8′ Tromba * 61 metal

4′ Clarion * 61 metal

Tremolo (for enclosed stops)

Chimes (Solo)

Swell (61 notes, enclosed, Manual III)

16′ Contra Salicional 73 metal

16′ Echo Lieblich 73 wood & metal

8′ Geigen Principal 73 metal

8′ Hohl Flöte 73 wood & metal

8′ Salicional 73 metal

8′ Voix Celeste 73 metal

8′ Rohrflöte 73 wood & metal

8′ Flauto Dolce 73 metal

8′ Flute Celeste 73 metal

8′ Aeoline 73 metal

8′ Aeoline Celeste 73 metal

4′ Octave Geigen 73 metal

4′ Traverse Flute 73 wood & metal

2 2/3′ Twelfth 61 metal

2′ Fifteenth 61 metal

III Cornet 183 metal

V Plein Jeu 305 metal

16′ Waldhorn 73 metal

8′ Trumpet 73 metal

8′ Cornopean 73 metal

8′ Oboe 73 metal

8′ Vox Humana 61 metal

4′ Clarion 73 metal

Tremolo

Chimes (Solo)

Harp (Choir) 8′

Celesta (Choir) 4′

Choir (61 notes, enclosed, Manual I)

16′ Contra Dulciana 73 metal

8′ Diapason 73 metal

8′ Concert Flute 73 wood & metal

8′ Viola 73 metal

8′ Dulciana 73 metal

8′ Unda Maris 73 metal

4′ Prestant 73 metal

4′ Lieblich Flöte 73 metal

4′ Viola 73 metal

2 2/3′ Nazard 61 metal

2′ Piccolo 61 metal

1 3/5′ Tierce 61 metal

16′ Bassoon 73 metal

8′ Trompette 73 metal

8′ Clarinet 73 metal

8′ Orchestral Oboe 73 metal

Tremolo

Harp (8′, 61 bars) [now digital]

Celesta (4′, from Harp)

Chimes (Solo)

Solo (61 notes, enclosed, Manual IV)

16′ Contra Gamba 73 metal

8′ Flauto Mirabilis 73 wood & metal

8′ Gamba 73 metal

8′ Gamba Celeste 73 metal

4′ Orchestral Flute 73 wood & metal

4′ Gambette 73 metal

2′ Piccolo Harmonique 61 metal

8′ Tuba Mirabilis 73 metal

8′ French Horn 73 metal

8′ Cor Anglais 73 metal

4′ Clarion 73 metal

Tremolo

Chimes (25 tubular bells) [now digital]

Harp (Choir) 8′

Celesta (Choir) 4′

Pedal (32 notes, unenclosed [except for enclosed borrows])

32′ Open Diapason (ext. Prin.) 12 metal

16′ Open Diapason 32 wood

16′ Principal 32 metal

16′ Double Diapason (Great)

16′ Geigen 32 metal

16′ Violone 32 wood & metal

16′ Bourdon 32 wood

16′ Contra Gamba (Solo)

16′ Contra Salicional (Swell)

16′ Echo Lieblich (Swell)

16′ Contra Dulciana (Choir)

8′ First Octave (ext. Op. Diap.) 12 wood

8′ Second Octave 32 metal

8′ Geigen (ext.) 12 metal

8′ Cello (ext. Violone) 12 metal

8′ Flute (ext. Bourdon) 12 wood

8′ Stillgedeckt (Swell)

8′ Dulciana (Choir)

4′ Super Octave 32 metal

4′ Flute (ext. Bourdon) 12 wood

IV Mixture 128 metal

32′ Contra Waldhorn (ext.) 12 metal

16′ Trombone 32 metal

16′ Waldhorn 32 metal

16′ Tromba (Great)

16′ Bassoon (Choir)

8′ Trumpet 32 metal

4′ Clarion 32 metal

Chimes (Solo)

Antiphonal (Manual IV; prepared for, 21 blank drawknobs)

Antiphonal Pedal (prepared for, 7 blank drawknobs)

Summary

Division Stops Ranks Pipes

Great 18 25 1489

Swell 23 29 1985

Choir 16 16 1132

Solo 11 11 791

Pedal 28 15+7 ext. 564

Total 96 96 5961

Couplers and Accessories

# = indicator light provided

Couplers

By drawknobs within their divisions:

Great Sub 16′

Great Super 4′

Swell Sub 16′

Swell Unison Off

Swell Super 4′

Choir Sub 16′

Choir Unison Off

Choir Super 4′

Solo Sub 16′

Solo Unison Off

Solo Super 4′

By tilting tablets on coupler rail:

Great to Pedal 8′

Swell to Pedal 8′

Choir to Pedal 8′

Solo to Pedal 8′

[blank; intended for Antiphonal to Pedal 8′]

Great to Pedal 4′

Swell to Pedal 4′

Choir to Pedal 4′

Solo to Pedal 4′

[blank; intended for Antiphonal to Pedal 4′]

Swell to Great 16′

Swell to Great 8′

Swell to Great 4′

Choir to Great 16′

Choir to Great 8′

Choir to Great 4′

Solo to Great 16′

Solo to Great 8′

Solo to Great 4′

Choir to Swell 8′

Solo to Swell 8′

Swell to Choir 16′

Swell to Choir 8′

Swell to Choir 4′

Solo to Choir 8′

Great to Solo 16′

Great to Solo 8′

Great to Solo 4′

4 blanks [intended for Antiphonal division coupling]